Masters of the Marching Arts

Part 4(A) discussed Rules and Judging. Part 4(B) explored Attire. Part 4(C) studied Equipment and Props. Part 4(D) examined Design and Movement in the 20th Century. Now let's look at: Design/Movement- 21st Century After the turn of the century, visual designs began...

I once went out for beers with a friend named Bob, who served as a U.S. Army military policeman in the Vietnam war. He told me that he joined a V.F.W. post after discharge and that some of the World War II vets at the place made him feel as if he were personally...

Among the aspects of the drum corps activity that have changed over the past five decades, it could be argued that the visual elements have been the most affected.

For decades it was easy to identify a corps marching into a stadium from a simple glimpse of their uniforms. Until the late 1970s most corps wore uniforms that were a part of their signature. Many were classics worn for decades.

Up until the late 1960s, the equipment permitted on the field was quite limited. Other than “legal” musical instruments, color guards carried flags, rifles, and sabers and rarely anything else in terms of equipment or props. If you fast forward to today, the contrast is stunning.

The early years of “marching and maneuvering” in drum corps involved parade formations and straight lines with heavy military influence. Marching behind the corps proper and executing “the manual of arms” were often the extent of contributions from color guards.