In order to talk about the meteoric rise of the 27th Lancers in 1975, first we must step back and look at the 1974 season.
At the end of the 1973 season, the corps had graduated many members and the last of the true “original members” from 1968. Along with the age-outs and their experience, the departure of staff members Richard “Ike” Ianessa (RIP) in M&M and Jim Buckley in percussion left gaping holes. Veteran brass arranger Jim Wedge would be kept and he would be the glue to help solidify the new staff members. The corps would bring in two experienced drum corps people, both with a long history with 27th, but neither had written at the DCI level
Lorrie, Sean, Sammy. Michael, Patty, and Judy, other members of Jerry’s family, colleagues, friends and acquaintances:
Thank you all for coming, and as is the norm today, for watching. Your presence here today reminds us of the scripture’s counsel, “…that those who mourn are blessed for they shall be comforted;” and we are comforted by the knowledge that, somewhere up above, God is getting an earful of trumpet solos and double C’s.
How do you honor a legend? Let’s start with the basics. (more…)
We remember vividly those in our beloved drum corps activity who share their unique talent, dedication, creativity, and life philosophy, toward catapulting the activity and its performers to greater heights. Their greatness stands out in the manner with which they leave their mark and influence on each person who crossed their path. Ralph Pace is one such giant.
I always wanted to reproduce this ever since I got involved in designing visual shows. With the aid of the Pyware software that I use and having Ken Wheeler send me the audio from the 1967 Crusaders I was able to put this together.
I believe the Crusaders performed the Cross Through in various parts of their show from 1962 to 1968. I can remember marching this and hearing the crowd respond to the visual and thought——-“How Cool is This?”
The brass line drill in the video is the exact of the design that we used and I have tweaked the guard to add to the visual effect. Maybe the only good to come out of my design business being dormant due to Covid is that it allowed me to finally get this done.
Where would drum corps be if Don Angelica were still alive?
I think Don would applaud the progress we have made in improving performance levels (he NEVER accepted substandard performance), but would be disappointed in the direction the activity has taken creatively and in terms of the state of judging.
He stood for great music. In the early ’80s the Cadets were doing things such as “Rocky Point Holiday” and Bernstein’s “Mass.” He supported that tack, and George Zingali’s work, because although in the formative stages, this approach was a major improvement and the activity’s future direction. If the visuals were a bit messy, the activity could not afford to lose the genius. (more…)
The result was the same for all of us. The circumstances leading up to it differed in many cases but the effect never varied. We were stricken by the “Drum Corps Virus,” i.e. chills, goose bumps, and an insatiable thirst to be a part of the group.
To hear some say it, there isn’t a lot that’s right with drum corps in 1996. But while some would want to bring us back to the days of valve-rotor bugles, company front opening sets, and every other corps playing “National Emblem,” the fact is that there is more right than wrong with drum corps today.
It’s easy to fixate on the old days, in which (it seems) every local community had a corps and, of course, almost every corps was wonderful. The old days, however, weren’t necessarily better. They were just different.